{"product_id":"contrast-curve","title":"Contrast Curve DCTL","description":"\u003ch3 data-end=\"200\" data-start=\"141\"\u003e CINETON Filmic Contrast – DCTL for DaVinci Resolve\u003c\/h3\u003e\n\n\u003cp data-end=\"655\" data-start=\"222\"\u003e \u003cstrong data-end=\"249\" data-start=\"222\"\u003eCINETON Filmic Contrast\u003c\/strong\u003e is a professional DCTL for DaVinci Resolve that delivers cinematic contrast curves with natural highlight rolloff, controlled shadow toe, and TF-aware pivot – without LUTs. Perfect for cinematic looks with stable color reproduction in \u003cstrong data-end=\"654\" data-start=\"502\"\u003eLogC3\/LogC4, S-Log3, V-Log, F-Log\/F-Log2, CLog3, DJI D-Log, RED Log3G10, BMD Film Gen 5, ACEScct, DaVinci Intermediate, Gamma 2.2\/2.4\/2.6, and Linear\u003c\/strong\u003e .\u003c\/p\u003e\n\n\u003ch2 data-end=\"678\" data-start=\"657\"\u003e Why this DCTL?\u003c\/h2\u003e\n\n \u003cp data-end=\"1014\" data-start=\"679\"\u003eUnlike static LUTs, CINETON Filmic Contrast works \u003cstrong data-end=\"768\" data-start=\"744\"\u003eprocedurally in linear mode\u003c\/strong\u003e – exposure and contrast behave realistically, colors remain clean, highlights roll off smoothly, and mid-gray is positioned exactly where it should be according to the transfer function. Ideal for \u003cstrong data-end=\"1013\" data-start=\"963\"\u003ecommercials, travel films, documentaries, social media, and YouTube\u003c\/strong\u003e .\u003c\/p\u003e\n\n\u003ch2 data-end=\"1031\" data-start=\"1016\"\u003e Key Features \u003c\/h2\u003e\n\n\u003cul data-end=\"2112\" data-start=\"1032\"\u003e\n\n\u003cli data-end=\"1174\" data-start=\"1032\"\u003e\n\n\u003cp data-end=\"1174\" data-start=\"1034\"\u003e \u003cstrong data-end=\"1068\" data-start=\"1034\"\u003eFilmic S-Curve \u0026amp; Linear Blend:\u003c\/strong\u003e Continuously mix from linear to “rolling” (S-curve) – from technically crisp to organically cinematic. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"1318\" data-start=\"1175\"\u003e\n\n\u003cp data-end=\"1318\" data-start=\"1177\"\u003e \u003cstrong data-end=\"1222\" data-start=\"1177\"\u003eNatural highlight rolloff (shoulder):\u003c\/strong\u003e White point compression with adjustable \u003cstrong data-end=\"1275\" data-start=\"1263\"\u003eshoulder\u003c\/strong\u003e and \u003cstrong data-end=\"1292\" data-start=\"1280\"\u003efalloff\u003c\/strong\u003e – protects highlights.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"1445\" data-start=\"1319\"\u003e\n\n \u003cp data-end=\"1445\" data-start=\"1321\"\u003e\u003cstrong data-end=\"1348\" data-start=\"1321\"\u003eClean Shadows (Toe):\u003c\/strong\u003e Blackpoint compression with \u003cstrong data-end=\"1385\" data-start=\"1378\"\u003etoe\u003c\/strong\u003e and \u003cstrong data-end=\"1402\" data-start=\"1390\"\u003efall-off\u003c\/strong\u003e – more substance in the dark without “crush”. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"1566\" data-start=\"1446\"\u003e\n\n\u003cp data-end=\"1566\" data-start=\"1448\"\u003e \u003cstrong data-end=\"1471\" data-start=\"1448\"\u003eTF-conscious pivot:\u003c\/strong\u003e 18% grey is correctly determined for each transfer function – consistent contrast behavior. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"1689\" data-start=\"1567\"\u003e\n\n\u003cp data-end=\"1689\" data-start=\"1569\"\u003e \u003cstrong data-end=\"1601\" data-start=\"1569\"\u003eColor protection via CHEN model:\u003c\/strong\u003e Contrast is preferentially applied to Luma – \u003cstrong data-end=\"1654\" data-start=\"1638\"\u003eHue \u0026amp; Chroma\u003c\/strong\u003e remain stable (Preserve Color). \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"1814\" data-start=\"1690\"\u003e\n\n\u003cp data-end=\"1814\" data-start=\"1692\"\u003e \u003cstrong data-end=\"1710\" data-start=\"1692\"\u003eHi\/Lo Pinning:\u003c\/strong\u003e Protective mask for \u003cstrong data-end=\"1751\" data-start=\"1727\"\u003ehighlights \u0026amp; shadows\u003c\/strong\u003e with soft cushioning – “punch” in the mid-range, secure ends.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"1921\" data-start=\"1815\"\u003e\n\n \u003cp data-end=\"1921\" data-start=\"1817\"\u003e\u003cstrong data-end=\"1839\" data-start=\"1817\"\u003eExposure in Stops:\u003c\/strong\u003e Exposure \u003cstrong data-end=\"1858\" data-start=\"1851\"\u003ebefore\u003c\/strong\u003e or \u003cstrong data-end=\"1872\" data-start=\"1864\"\u003eafter\u003c\/strong\u003e tone mapping (Tone-mapped Exposure Toggle). \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"2024\" data-start=\"1922\"\u003e\n\n\u003cp data-end=\"2024\" data-start=\"1924\"\u003e \u003cstrong data-end=\"1947\" data-start=\"1924\"\u003eOn-screen overlays:\u003c\/strong\u003e Curve and ramp overlay, pivot marker, optional \"Wide Aspect\" for scopes. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"2112\" data-start=\"2025\"\u003e\n\n\u003cp data-end=\"2112\" data-start=\"2027\"\u003e \u003cstrong data-end=\"2048\" data-start=\"2027\"\u003eNo LUTs needed:\u003c\/strong\u003e Procedural, reproducible, resolution and color space independent.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch2 data-end=\"2131\" data-start=\"2114\"\u003e compatibility \u003c\/h2\u003e\n\n\u003cul data-end=\"2482\" data-start=\"2132\"\u003e\n\n\u003cli data-end=\"2215\" data-start=\"2132\"\u003e\n\n\u003cp data-end=\"2215\" data-start=\"2134\"\u003e \u003cstrong data-end=\"2147\" data-start=\"2134\"\u003eSoftware:\u003c\/strong\u003e DaVinci Resolve 17+ (Studio recommended, DCTL support required)\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"2431\" data-start=\"2216\"\u003e\n\n \u003cp data-end=\"2431\" data-start=\"2218\"\u003e\u003cstrong data-end=\"2236\" data-start=\"2218\"\u003eColor spaces\/TFs:\u003c\/strong\u003e ARRI LogC3\/LogC4, Sony S-Log3, Panasonic V-Log, Fujifilm F-Log\/F-Log2, Canon CLog3, DJI D-Log, RED Log3G10, \u003cstrong data-end=\"2363\" data-start=\"2345\"\u003eBMD Film Gen 5\u003c\/strong\u003e , \u003cstrong data-end=\"2389\" data-start=\"2365\"\u003eDaVinci Intermediate\u003c\/strong\u003e , \u003cstrong data-end=\"2402\" data-start=\"2391\"\u003eACEScct\u003c\/strong\u003e , Gamma 2.2\/2.4\/2.6, Linear \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli data-end=\"2482\" data-start=\"2432\"\u003e\n\n\u003cp data-end=\"2482\" data-start=\"2434\"\u003e \u003cstrong data-end=\"2448\" data-start=\"2434\"\u003ePlatform:\u003c\/strong\u003e macOS \u0026amp; Windows, GPU-accelerated\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"CINETON Studio","offers":[{"title":"Default Title","offer_id":51936664977754,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0936\/3839\/4202\/files\/Contrast-Curve.jpg?v=1755320137","url":"https:\/\/cineton.store\/en\/products\/contrast-curve","provider":"CINETON Studio","version":"1.0","type":"link"}