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CINETON Studio

Contrast Curve DCTL

Contrast Curve DCTL

Regular price €25,00 EUR
Regular price Sale price €25,00 EUR
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CINETON Filmic Contrast – DCTL for DaVinci Resolve

CINETON Filmic Contrast is a professional DCTL for DaVinci Resolve that delivers cinematic contrast curves with natural highlight rolloff, controlled shadow toe, and TF-aware pivot – without LUTs. Perfect for cinematic looks with stable color reproduction in LogC3/LogC4, S-Log3, V-Log, F-Log/F-Log2, CLog3, DJI D-Log, RED Log3G10, BMD Film Gen 5, ACEScct, DaVinci Intermediate, Gamma 2.2/2.4/2.6, and Linear .

Why this DCTL?

Unlike static LUTs, CINETON Filmic Contrast works procedurally in linear mode – exposure and contrast behave realistically, colors remain clean, highlights roll off smoothly, and mid-gray is positioned exactly where it should be according to the transfer function. Ideal for commercials, travel films, documentaries, social media, and YouTube .

Key Features

  • Filmic S-Curve & Linear Blend: Continuously mix from linear to “rolling” (S-curve) – from technically crisp to organically cinematic.

  • Natural highlight rolloff (shoulder): White point compression with adjustable shoulder and falloff – protects highlights.

  • Clean Shadows (Toe): Blackpoint compression with toe and fall-off – more substance in the dark without “crush”.

  • TF-conscious pivot: 18% grey is correctly determined for each transfer function – consistent contrast behavior.

  • Color protection via CHEN model: Contrast is preferentially applied to Luma – Hue & Chroma remain stable (Preserve Color).

  • Hi/Lo Pinning: Protective mask for highlights & shadows with soft cushioning – “punch” in the mid-range, secure ends.

  • Exposure in Stops: Exposure before or after tone mapping (Tone-mapped Exposure Toggle).

  • On-screen overlays: Curve and ramp overlay, pivot marker, optional "Wide Aspect" for scopes.

  • No LUTs needed: Procedural, reproducible, resolution and color space independent.

compatibility

  • Software: DaVinci Resolve 17+ (Studio recommended, DCTL support required)

  • Color spaces/TFs: ARRI LogC3/LogC4, Sony S-Log3, Panasonic V-Log, Fujifilm F-Log/F-Log2, Canon CLog3, DJI D-Log, RED Log3G10, BMD Film Gen 5 , DaVinci Intermediate , ACEScct , Gamma 2.2/2.4/2.6, Linear

  • Platform: macOS & Windows, GPU-accelerated

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