Sony S-Log3 - Fix Color Cast Powergrade

Sony S-Log3 → DaVinci Wide Gamut PowerGrade

Fix for incorrect yellow and red tones in DaVinci Resolve

If you film with Sony S-Log3 / S-Gamut3.cine and want to work in DaVinci Wide Gamut , you know the problem: Yellow and red tones often appear too reddish, muddy or washed out – especially in highlights, warm light sources and skin tones.
This PowerGrade solves exactly that.

With my specially developed node workflow, you get clean, stable colors , natural skin tones and reliable color reproduction – and can still grade comfortably in the large color space of DaVinci Wide Gamut Intermediate .

✅ This is what PowerGrade can do

• Fix for faulty yellow and red display on Sony S-Log3

• visibly more stable and natural skin tones

• Improved highlight display without interruptions

• Safe grading in DaVinci Wide Gamut Intermediate

• Clean final output in Rec.709 Gamma 2.4

• Professional workflow – ready to use immediately

🎛 This is how the integrated workflow works

This PowerGrade contains an intelligently structured node tree with the necessary color space transformations:

1️⃣ S-Log3 → DaVinci Wide Gamut Intermediate
2️⃣ Grading area in DWG (maximum color stability & latitude)
3️⃣ DWG → S-Log3 Stabilization
4️⃣ Final Edition: S-Log3 → Rec.709 Gamma 2.4

You don't need to configure anything – just apply and get started.

🎥 Perfect for you if you…

• working with Sony Alpha, FX series or other S-Log3 cameras

• You want to grade in DWG , but you're having problems with colors.

• You want natural skin tones and warm highlights

• you want to make your workflow more professional and efficient

🧩 Compatibility

• DaVinci Resolve (Studio & Free Version)

• Optimized for Sony S-Log3 / S-Gamut3.cine

• Works with all Sony cameras that support S-Log3

📦 You get this

• PowerGrade file (.dpx / .drx – customizable depending on shop structure)

• recommended node structure

• brief instructions for use

• Best-practice tips for clean grading